Learning Process

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      30 Sep 2011

      Progress Report XII

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      “Simmering content – rich in variety and riddled with idiosyncrasies – is obscured by the catchy one-liner coined by brand consultants…isn’t it better not to bother with the subject matter of an event at all when promoting it? Instead why not just chant the values of the organisation that it brings to people? Surely we all engage with a subject because we are familiar and trusting of the organisation that brings it to us?...why bother referring to content at all when people respond much better to the branded message?” (Bell, 2004, p.23-4)

      Metaphors, metaphors, metaphors…

      Under the advice of a fellow student, I read Nick Bell’s article in the Eye Magazine titled The Steam Roller of Branding, and it was insightful to revisit such an article that points out that “some corporate identities exist in spite of what a company or organisation produces, and in direct contradiction to the way it behaves.” (2004, p.20) Metaphorically speaking, branding is a brand in itself, does it not contradict itself in a way? It anticipates our basic and spiritualistic needs and sells ideas, encouraging affiliation through their products by highlighting aspirations through familiar metaphors


      I presented my ideas in the Final Project Presentations yesterday, and the feedback was sound; the tutors and fellow peers alike provided questions to ponder on this weekend which I had otherwise omitted during the thinking for the output; one particular question which was raised by a fellow student did make me realise how immersed into this project I was, almost to the point of not remembering the other campaigns that already exist under the sea of brands and branding: “If you are creating something through all the clutter, how do you get people to notice it?”

      It’s getting closer to the time where the outcome has to be finalised and get on with the report writing, I feel less prepared than ever, but have certainly gained more of an understanding of the psychology behind branding and its effects on consumers; the use of familiar metaphors relevant to our time through a narrative, like fairytales, provide a sense of affiliation between ourselves and the overall brand itself through their products. It is like a medicine that can cure our needs, that have long been merged with our inner-spiritualistic desires in this materialistic world.

      This is a real-world form of escapism, where brands utilise their products and the market to provide this escape from the realistic thoughts, to be lost within their metaphors that makes you become affiliated to it, through a  visual narrative. Over time, as consumers become susceptible to this method of escapism, the psychological high that one can get from purchasing could be explained like the following:

      1. Consumers use brand (Use)
      2. Consumers become dependent (Abuse)
      3. Consumers begin to depend on it (Dependency)
      4. Consumers purchase more as they become more susceptible (Increased Dosage)


      Of course that is the most superficial description on how it works; if I was to expand on it, and providing it with more materialistic context:

      1. Consumers use brands (Use);
      2. Consumer becomes increasingly dependent on it; more has to be purchased in order to refill that intensity and psychological high (Abuse and dependency);
      3. Over time, consumers become bored of the brand (Susceptibility) and seeks elsewhere for an alternative high;
      4. Brand itself lose their consumers and creates new products, providing an external set of metaphors that will ensure they are newer, better, stronger and importantly, fresher than before for the consumer (Disillusionment);
      5. Consumers learn of new brand, and returns to previous brand (Relief control); other brand amends their image;
      6. Repeat cycle.


      From that analogy above, if that context was placed within the context of brand terrorism, then consumers would be so spoilt for choice, causing more purchasing and more hoarding of brands; it’s no wonder that compulsive consumers exist!

      In between the hoarding, what would happen if I add the metaphor of a placebo effect?
      Would the cycle be broken?

      With time issues, there is not much space left to research further into the relationship between branding and how it presents metaphorically as a medicine for consumers, but can I utilise that metaphor to create an outcome? More importantly, as questioned during the presentation:
      How does it affect individuals?
      What do you want the audience to take out from this outcome?
      How do you raise awareness of your stance as a result of your research from the outcome?

      One soldiers on.

      Bibliography
      Bell, N (2004) The Steam-Roller Of Branding. Eye Magazine. 14 (53), 18-28.


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      23 Sep 2011

      Progress Report XI

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      There has been a bit of restructuring of my research, helping me to organise my thoughts and development; branding a conceptual idea such as materialism would only provide a form that can be so fluid and more must be interpreted within it to reach the outcome. It is also helpful as it helps me create a running order for the imminent Major Project Presentation next week. The idea of negativity and positivity still sits well in my mind, but would I be able to make a change by utilising the psychological research that I have found and focus on consumerism as the one aspect of society? How would I be able to utilise today’s brand terrorism, i.e. the bombardment of brands so that we are never too far away from them, or any other brands, to promote something positive?
         
      Going through the research that I have done for the past few months has made me realise very much that I was better defining my boundaries within my research; children specifically as a target audience was not relevant in my interests, but rather the concepts that are inherent in children’s fairytales. The adult consumer is nowadays stuck in fictional narratives that are influenced by the concepts of fantasy within branding.
         
      The power of brands is by no means weak; the ability of being able to provide a narrative that merges between the fantastical and the real is beginning to morph social norms of understanding the difference between spiritualistic desires (such as freedom, love, health) with materialistic needs; brand narrative aims to offer the fulfilment of spiritualistic desires by purchasing their product of a materialistic nature; the didactic nature that used to be carried by fairytales, however, was not brought along with the creation of branding. The difference between good and bad within the climate of branding is nowadays, so blurred to the point where, its consequences as it morphed social norms has changed our own ideals, as shown with the climatic example of the London Riots.
         
      It is on the realisation based on this quote by Dieter Rams:

      The value, and especially the legitimisation of design will be, in the future, measured more in terms of how it can enable us to survive…on this planet.

         
      The in depth research of anything and everything about psychological behaviours when exposed to brands has almost made me forget that the brand itself does not have to be about a logo marque, as I began exploring the outcome possibilities. This project output is rather about the expression of a concept that makes the statistics, or research that I found, fresh for the reader.
         
      From all the gathered research, my research question now stands at:
         
      Is it possible to utilise brand terrorism to encourage good?
         
      Under this research question, the outcome direction will utilise the psychological effects and impact that I have discovered between brands and the consumer to address the social issue of brand terrorism through metaphors as found throughout my research.

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      14 Jun 2011

      Data Visualisation

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      The second workshop which I embarked on was learning how to utilise substantial amounts of data and organising it to be read and understood easily by readers.

      This was the first time I've ever created an infographic, and understanding how to filter data to create something that has the right balance between good aesthetics that will attract, and good, interesting information that will compell the reader into wanting to find out more about the topic covered.

      The emphasis of this infographic is to provide a coherent visual for the reader to follow the rise and fall of conversations on different subjects within science, such as Nuclear, Space, or Biotechnological Sciences, in parallel to significant events on the historical timeline that would have created the increase in conversation and interest. The Scientist Stereotypes characters were created in response to the development of technology over time in sciences, in conjunction to data gathered of how the public perceived scientists as a result of news coverage over time.

      Many thanks to Dr Martin Bauer of the Institute of Social Psychology and Methodology Institute at the London School of Economics for the collaboration and the providing of data for this infographic.

      This is the first time that I am also trying the pdf viewing functionality on Posterous, so let's hope this works! The full digital version is below:

      Click here to download:
      PosterV4FINAL.pdf (177 KB)

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    Graphic Designer / Project Manager. Tea lover, Holmesian, wannabe Historian. This is my own canvas to share thoughts and findings on art, design, technology and innovation.
    To find out more about me, please visit my portfolio.

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