Learning Process

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      2 Sep 2011

      Progress Report VIII

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      ad continuum So does product placement become the modern adulthood to the modern childhood?
           
      Wording for the keywords have been changed to gain a better understanding with fewer (or more) words:
         
      Product placement is a form of advertising that embeds brands into forms of media; it implants ideas that provides an emotional platform between the brand and the consumer.
         
      Branding targets the psychosocial implications, expressive, terminal,as well as social values, in order to create the ultimate brand loyalty between itself and the consumer.
         
      Childhood is a period where cognitive, physical, social and emotional capacities are being developed, and product placement have increasingly exploited such to deliver brands and manipulate their perceptions.
         
      Branding is a multi-faceted aspect within the world of design, and from the experimentation and research that I’ve been conducting in the recent weeks, it is about an implementation of an idea, particularly within the world of product placement. I can now relate my current progress back to my original research question: “Whether product placement can have a positive brand exposure towards children”, but rather, to put it simply, it is questioning “whether product placement can implement a positive idea towards children”
      This opportunity has opened my eyes to experience unique perspectives on the city; the small moments we don't always pay too much attention to in the chaos that is the bombardment of brands.
         
      When I was calculating the brand index scores of the brands that children aged 8-12 (this phase is also known as ‘tweens’) from data that I had gathered, I found some surprising results; even though we live in an increasingly digital world, where more things are done on the internet, from the findings from the brand index scores, tweens are actually the most influenced by sweets and chocolate, followed by electronic gadgets, rather than websites, or TV shows. From this piece of discovery, however, it has to be considered where the source of influence, as well as the content of the influence.

      From the brand index data, I started compiling the colour wheel of brands that my target audience associate themselves with, I have realised that more and more are red, or yellow mostly; the colour psychologies of yellow and red combines the attention seeking energy of red with the happiness and optimistic yellow; McDonald’s is the perfect example that combines these two colours – the promise of a ‘good time’, with the excitement and movement and palpitations that it induces by attractive their customers with their insignia is surely a win. A more recent gradual decline of the use of red favour of adopting a more natural tone to their overall tone probably inclines with the quiet background murmurs of ethics within the fast food industry.
         
      Whilst compiling the colour wheel, there were moments where I had to pause and reconsider which part of the colour spectrum the logo itself belonged to, as the colour of some brands, where their packaging colour is intact throughout their range, was also considered.
         
      I finally began some primary research onto my surroundings; finding product placements, implanting of ideas that encompassed me left, right and centre.  Watching media that was perhaps, a little too naïve for yours truly, but the more I look into this subject, the more I become hooked into it, it is almost like as if all of these brands have amassed into a giant narrative within play, and has become a dictation towards me rather than an influence. This reminded me of a conversation that I had with an Accountant-cum-Politics-graduate, whom had a anecdote to share:

      I was watching television with my cousin once, and the age difference is rather large – 10 years apart, so naturally, and watching his, his type of programmes on television…God, I couldn’t even handle the break in between the shows; the products that are associated with the cartoon is played to entice the viewer. Jeez, that gave me a headache.

      What she said reminded me of Steve Jobs's saying (Mitchell, 2011)

       

      "When you’re young, you look at television and think - There’s a conspiracy. The networks have conspired to dumb us down. But when you get a little older, you realize that’s not true. The networks are in business to give people exactly what they want. That’s a far more depressing thought."

      — Steve Jobs

       


      Our generation is a generation that is the advertised, as well as the advertiser; branding has become the dictator to children, to childhood.

      Bibliography

      http://blog.sirmitchell.com/

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      14 Jun 2011

      Data Visualisation

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      The second workshop which I embarked on was learning how to utilise substantial amounts of data and organising it to be read and understood easily by readers.

      This was the first time I've ever created an infographic, and understanding how to filter data to create something that has the right balance between good aesthetics that will attract, and good, interesting information that will compell the reader into wanting to find out more about the topic covered.

      The emphasis of this infographic is to provide a coherent visual for the reader to follow the rise and fall of conversations on different subjects within science, such as Nuclear, Space, or Biotechnological Sciences, in parallel to significant events on the historical timeline that would have created the increase in conversation and interest. The Scientist Stereotypes characters were created in response to the development of technology over time in sciences, in conjunction to data gathered of how the public perceived scientists as a result of news coverage over time.

      Many thanks to Dr Martin Bauer of the Institute of Social Psychology and Methodology Institute at the London School of Economics for the collaboration and the providing of data for this infographic.

      This is the first time that I am also trying the pdf viewing functionality on Posterous, so let's hope this works! The full digital version is below:

      Click here to download:
      PosterV4FINAL.pdf (177 KB)

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    Graphic Designer / Project Manager. Tea lover, Holmesian, wannabe Historian. This is my own canvas to share thoughts and findings on art, design, technology and innovation.
    To find out more about me, please visit my portfolio.

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